Tuesday, February 23, 2010

Busy busy busy business

Funny that after talking about the fragmented decade I become a person in charge of selecting moments of the new decade for prosperity. (I still believe that paper will outlast electronics longer, if not better. Of course, it doesn't hurt to back up paper with electronic copies.)

Putting together an arts/culture/lifestyle section greatly depends on what its goals are. Even though the World Wide Web is supposed to be the great equalizer when it comes to distribution, this is clearly not the case. Every search engine ranks its results, and some, like Google, determine these rankings based on how much money is paid for one's own place. Also, it helps to know who your audiences are and how your content is distributed to them.

With that in mind, I've been trying to make the Arizona Daily Wildcat arts section focused primarily on local events with some connections to national and international events and news. The main impetus for this is that the vast majority of the Wildcat print readers are UA students, faculty, and staff. The rest of the print readers are members of the Tucson community. Most online readers, it seems, are alumni and a few students who didn't pick up a copy of the paper. (The fact that the Wildcat now posts PDF versions of each edition to Issu.com is great. Visitors can see the design layout of each page.) Given that our ad revenue still comes primarily from print ads, it is a background concern for an editor, unfortunately.

As I understand the responsibilities of the advertising department, they sell print and online space to businesses and individuals based on the content of the section and the section's reader demographics. If the advertisers and the sellers know what the section is about and who the readers should be, then they can determine what ads would be most appropriate for the section. With the amount of money going into print advertising decreasing across the publishing industry (of course, there are some notable exceptions), it can be difficult to keep this in mind.

However, due to the various megamergers of the past 30 years and the subsequent formation of monolithic, international conglomerates, publications that used to be fed from different tables by different chefs are now seated at the same table and eat from the same menu. (Don't know if this metaphor works...) The employees at the different companies are often painfully aware that they are competing with people who are essentially coworkers.

Given the importance of advertising and editorial content, some newspapers have taken a proactive approach to what appears in their paper, even when it comes to ads. This is nothing new to many magazines, though, especially since they are aimed at niches with easily identifiable readers. (I'm thinking of Utne Reader, Mother Jones, National Review, GQ, etc.) But they do this in order to align their ads with their content. This isn't to say that they are colluding to bring in ads, but that the newsroom ensures that their values aren't in conflict with their advertising department's goals. Anyone involved in the media nowadays, even at the college level, needs to know what their business is up to in order to survive.

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Wednesday, December 16, 2009

Personal Year/Decade in Review notes

What a weird, sad, maddening and wonderful decade. Trying to keep up with various cultural incidents — we've become too fractured to call them events, really — is just about impossible. The splintering of media channels, despite the various mergers and conglomerations, has left us with the possibility that developing an ADHD-like approach to artistic and cultural experiencing might just be evolutionarily advantageous.

How does a person make sense of what's happening in the world nowadays? When RSS first came out, it was touted as the best way to filter out the "useless" online content and get to what we're really interested in. The "good" stuff, so to speak. Now it seems to add to a burgeoning sense of self reinforcement, that is, what you find and read only reaffirms what you already believe as opposed to challenging those beliefs, testing them under the twin beacons of logic and emotion.

Fashion became a big deal under the Obama administration.

Journalism in America is undergoing an apocalypse.

I reclaim the meaning of "apocalypse" to be profound change or transformation, rather than the end of the world.

Yea to old-school, violent, and manipulative vampires, no to melodramatic, sparkly (!), brooding vampires.

Yea to zombies, whether they come in the form of movies (28 Days Later), comics (The Walking Dead), or classic literature (Pride and Prejudice and Zombies).

Yea to comic books being part of the pop culture discussion, no to fanboy baiting and event exhaustion.

Lists about any section of culture, whether it's music, movies, TV or whatever, cannot help but reflect personal tastes. But if you gather enough of them and compile them into one master list, will that give you an "objective" view of what was good?

Simon Reynolds' Notes on the noughties: The musically fragmented decade.

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Hip-hop at the end of its tired decade

Before I began writing this entry, I read Simon Reynolds's "Notes on the noughties" series for The Guardian online, and was struck by his insights and odd sense of humor. (Beards as signifiers of musical authenticity, anyone?) I'm surprised at how much I agree with him, and somewhat annoyed and relieved that he put together observations that have been bothering me these last few years. Following the same vein, I'm going to put down my own thoughts on the decade in an effort to make sense of it all. For this first part, it might help to read the New Yorker article by Sasha Frere-Jones about hip-hop before continuing.

Thursday, December 10, 2009

Wildlife year/decade in review OR My year in lists

I create a list of alternative Christmas songs for this week's WildLife. Twisted Sister, unfortunately, did not make the list.

I contribute to WildLife's list of the best movies of the decade. Of course, I am willfully different in my choices.

Finally, I give my list of the year's best comics and graphic novels.

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Tuesday, December 8, 2009

Decade in Review

I contribute to the Daily Wildcat's Decade in Review issue, which was an interesting issue. (A shame it didn't have campus stories.) Of the four entries I wrote, only one made it to print while another was misattributed to me mistakenly. The rest went unpublished for various reasons too mundane to mention. Here's what I wrote:

Top National Stories - Contested Election of 2000

While this was not the most contested presidential election in U.S. history — that honor goes to the 1876 election between Rutherford Hayes and Samuel Tilden — the 2000 election was significant for several reasons.

It saw a major shift in the judicial branch’s power. Despite numerous media organizations declaring Democratic candidate and then-vice president Gore as the winner based on exit polls, by the end of Nov. 7, 2000, the U.S. still had no clear winner in the presidential race. It became clear that the contest hinged on the winner of the popular vote in Florida.

Gore called for a hand recount. The multiple legal moves left a nation of voters, many of whom had voted for the first time in a national election, anxiously awaiting a decision. The U.S. Supreme Court eventually ruled 5-4 that the recount was unconstitutional, and could not be completed in time for the second deadline extension.

In the end, the U.S. had a new president, George W. Bush, who would have a profound impact on the decade, regalvanized Democratic and Republican parties and a new generation that discovered that every vote matters.

Wednesday, November 25, 2009

Scratching the surface of the Arizona State Museum

This week, I spent time behind the scenes at the Arizona State Museum to see how the people at the archeology repository do their work. My thanks to Patrick Lyons, Arthur Vokes, and Katie MacFarland for taking the time out of their busy schedules to speak with me, and thanks to my editor Justyn Dillingham and the Wildcat's copy desk for help with the editing.

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Monday, November 16, 2009

Look What I Received in the Mail Today

A copy of Shivering Sands by Warren Ellis, one of my favorite writers:



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Friday, November 13, 2009

Daily Wildcat theft - the end?

I wrote an opinions column about the entire Daily Wildcat theft case, which is kind of a companion piece to Shain Bergan's column earlier this week.

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